I'm in love with animation, comics, and the pursuit of artistic growth! This is my inspiration/reblog journal.
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Without love, it cannot be seen.

letter-airy:

eatcleaneatclean:

eat—workout—love:

britthiggsbucketlist:

bigbitchgetsfit:

Some vegan ones up there!

yum home made soup

Totes showin this to my mom

Love soup. mmmmmmmmmm

Yes!

(Source: symphonyofawesomeness)

visitheworld:

Camping under the northern lights, Troms County / Norway (by Trichardsen).

visitheworld:

Camping under the northern lights, Troms County / Norway (by Trichardsen).

(via gladivus)

silentgiantla:

Animated artwork by Rebecca Mock

Fine, detailed and subtle animated artwork created by New York illustrator Rebecca Mock. Apparently the animated gif back to stay, gradually more and more people are exploring this old format and customers asking for shouting. Several of these illustrations were created for the New York Times or The Warlus magazine.

(via starfleetrambo)

sun0fagun:

The Psychology of Cinematography: 

Wes Anderson, David Fincher, Darren Aronofsky, Quentin Tarantino & Stanley Kubrick

These are all shots where the emphasis is on the entirety of the shot as a whole and provides a much more distant kind of view, allowing the goings on to register as it is instead of having a specific cinematic mood attached. 

I’ve never heard anyone say not to try for symmetry in your shots, but I was told to be aware of the psychological effect it has on audiences. This little reel is a prime example of how off-putting symmetry can be in motion picture photography. Even in the ones in which there is no immediate danger or horror present. You feel like there’s something wrong in every one of these shots. You can’t put your finger on it, but you know things aren’t quite right. The psychology of symmetry is used whenever a filmmaker wants to put an audience at unease. Which, as you can see, was often.

This concept can be applied to many other concepts and styles of cinematography such as  Look down, look up, Hiphop cuts, mood lighting etc. 

These are some of my favorite examples cinematography put in a gif set. 

(via waitingforthemaninthebluebox)

isaia:

stormraven24:

inbetweenthelineart:

aicosu:

Just a small PSA saying:If you guys haven’t watched Green Lantern: The Animated series, you totally, totally should. Seriously. Sylar and I watched 26 episodes in one day — it was SO GOOD. Its on Netflix, so go go go!

UMMMMM IF YOU TWO COSPLAY AS AYA AND RAZER IT WOULD BE AMAZING I WOULD PROBABLY DIE

DAFUQ YOU MEAN PROBABLY? I WOULD MOST CERTAINLY KEEL OVER FROM HAPPINESS AND MY SPIRIT WOULD FLOAT INTO THE SUN IF THEY DID!

SO I HERD THAT SYLAR AND AICOSU ARE WATCHING GLTAS AND YES IF THIS WERE TO HAPPEN, I TOO, WOULD DIE

Sheila, you hear that? The sound of GLTAS fangirl deaths across tumblr if you make their dream come true. (ノ◕ヮ◕)ノ*:・゚✧ Yes GLTAS is on Netflix and yes PLEASE GIVE IT A SHOT. Give it two episodes. Do it. And watch helplessly as your soul gives in. /人◕ ‿‿ ◕人\

isaia:

stormraven24:

inbetweenthelineart:

aicosu:

Just a small PSA saying:

If you guys haven’t watched Green Lantern: The Animated series, you totally, totally should. 

Seriously. Sylar and I watched 26 episodes in one day — it was SO GOOD. Its on Netflix, so go go go!

UMMMMM IF YOU TWO COSPLAY AS AYA AND RAZER IT WOULD BE AMAZING I WOULD PROBABLY DIE

DAFUQ YOU MEAN PROBABLY? I WOULD MOST CERTAINLY KEEL OVER FROM HAPPINESS AND MY SPIRIT WOULD FLOAT INTO THE SUN IF THEY DID!

SO I HERD THAT SYLAR AND AICOSU ARE WATCHING GLTAS AND YES IF THIS WERE TO HAPPEN, I TOO, WOULD DIE

Sheila, you hear that? The sound of GLTAS fangirl deaths across tumblr if you make their dream come true. (ノ◕ヮ◕)ノ*:・゚✧ 

Yes GLTAS is on Netflix and yes PLEASE GIVE IT A SHOT. Give it two episodes. Do it. And watch helplessly as your soul gives in. /人◕ ‿‿ ◕人\

grizandnorm:

Tuesday Tip - Beat Boards / StoryboardsIt can be a daunting task to just “start storyboarding”. Because there’s so many things to think about when storyboarding, we all need a roadmap to know where we are going. Beat boards are not even the first step to creating a story, but it’s often the clearest way to pitch an early concept to someone. It’s also very useful to plan out the larger beats of a large physical sequence (action, chase, etc.). This way, you don’t have to go on a limb for a week or two and have to redo it all if it doesn’t work. They’re sort of like your Key Poses in animation, but put on a story scale. Does that make sense? Message me if you have any questions or suggestions about future posts.Norm

grizandnorm:

Tuesday Tip - Beat Boards / Storyboards

It can be a daunting task to just “start storyboarding”. Because there’s so many things to think about when storyboarding, we all need a roadmap to know where we are going. Beat boards are not even the first step to creating a story, but it’s often the clearest way to pitch an early concept to someone. It’s also very useful to plan out the larger beats of a large physical sequence (action, chase, etc.). This way, you don’t have to go on a limb for a week or two and have to redo it all if it doesn’t work. They’re sort of like your Key Poses in animation, but put on a story scale. Does that make sense? Message me if you have any questions or suggestions about future posts.

Norm

(via debaoki)

isaia:

hellorenee:

"While women in precolonial Philippines were often designated to the venerable position of the babaylan, it was not an uncommon occurrence for them to pick up arms and become warriors.”
- Perry Gil S. Mallari, The Filipina as Ritualistic and Warrior

Photograph source??? This is beautiful!

isaia:

hellorenee:

"While women in precolonial Philippines were often designated to the venerable position of the babaylan, it was not an uncommon occurrence for them to pick up arms and become warriors.”

- Perry Gil S. Mallari, The Filipina as Ritualistic and Warrior

Photograph source??? This is beautiful!

(via mohja)

giancarlovolpe:

lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

Hell yeah.

fightzine:

aplacebothwonderfulandstrange:

spacetwinks:

ohnoproblems:

ohnoproblems:

rincewitch:

atoastystrudel:

spacetwinks:

martial arts movie greats Michelle Yeoh and Cynthia Rothrock absolutely fucking DESTROY a house full of motherfuckers in Yes, Madam (1985)

Holy shit

!!!

their fucking jackets god DAMN

im watching this again

so am i

This is so good.

Perfection.

(via vryaznorange)

THEME BY DJMCOY